| 215 |
unknown |
|
19th c |
Beheading Scene |
copper with tin enhancement |
|
Atelier stamp |
17 x 26" |
100 |
200 |
No |
Hand tooled & repousse crease LL |
| 24 |
unknown |
|
18th-19th Century |
Portrait of a lady |
painted oval |
|
see note |
2.5x2oval |
300 |
400 |
No |
Miniature - signed indistinctly lower center J.N. Conn(?) |
| 263 |
unknown |
|
|
Custom |
hand colored engraving |
|
Un |
12.5x7.75 |
100 |
200 |
No |
from John Bickman "the Illustrated Penman" |
| 22 |
unknown |
|
|
Portrait of Queen Elisabeth I |
tempera on vellum |
|
Un |
6x5.25oval |
200 |
400 |
No |
Condition: Cracking. |
| 255 |
unknown |
|
c.1900 |
Buffalo Hunter |
O/C |
|
Un |
16x22 |
800 |
1000 |
No |
American School |
| 82 |
unknown |
|
1950 |
The Ballet Dancer |
O/C |
|
LR |
10X9.5 |
300 |
500 |
No |
signed indistinctly. Woodstock wormy chestnut frame. |
| 72 |
unknown |
|
c.1870 |
Portrait of a Gentleman |
O/C |
|
Un |
30x24 |
1000 |
2000 |
No |
American School. Original colonial frame. |
| 136 |
unknown |
|
|
Portrait of an American Woman |
O/C |
|
Un |
40x30 |
1500 |
2500 |
No |
Model resembles Mrs. Abbott Thayer (Bessie) |
| 95 |
unknown |
|
c.1945 |
Expressionist Portrait of a Woman |
O/C |
|
Un |
40x30 |
800 |
1200 |
No |
|
| 59 |
unknown |
|
c.1900 |
Arcadian Landscape With Sail Boat |
O/C |
|
Un |
24x30 |
300 |
500 |
No |
American School. Interesting feather-grained frame. |
| 245 |
unknown |
|
1936 |
The Blind Leading The Blind |
gouache/paper |
|
LR see note |
8.5x18 |
300 |
400 |
No |
Signed with initials A.H. |
| 228 |
unknown |
|
nd |
Bird with Beak |
iron & steel |
|
Un |
22 x 25 x 9" |
250 |
400 |
Yes |
|
| 73 |
unknown |
|
c.1850 |
Portrait of a Gentleman |
pastel/paper |
|
Un |
28x21.5 |
1500 |
2500 |
No |
American School. Finely crafted gilded early American frame.
Condition: some water damage. |
| 240 |
unknown |
|
c.1880s |
Squirrel |
natural materials |
|
Un |
12.75 x 9.75 |
150 |
250 |
No |
Victorian oval frame |
| 220 |
unknown |
|
c.1940 |
Woodstock Barn From Bradley Meadow |
O/canvas board |
|
LR |
9x12 |
200 |
300 |
No |
signed indistinctly lower right. |
| 37 |
unknown |
|
1911 |
Laspeditosa Vittoria Italiana Tripolli |
color lithograph |
|
LL |
13 x 19" |
150 |
250 |
No |
Published by London Printing & Publishing |
| 262 |
unknown |
|
c1950 |
three traditional Chinese paintings |
watercolor & ink/paper |
|
see note |
10x13 |
100 |
150 |
No |
each print is signed and chopmarked. Size is per image. |
| 13 |
unknown |
|
1951 |
America's First Art Film Festival |
lithograph/poster |
|
Un |
22.5 x 17" |
150 |
250 |
No |
|
| 259 |
unknown |
|
c. 1950 |
Mythological Beast |
metal |
|
LC |
14.5 x 11.5" |
150 |
250 |
No |
Signature not legible |
| 194 |
unknown |
|
|
Billiard Game |
acrylic/canvas |
|
LL |
27x39 |
400 |
600 |
No |
Signed indistinctly |
| 48 |
unknown |
|
c.1910 |
Impressionist Landscape |
O/B |
|
Un |
6.5x9.5 |
100 |
200 |
No |
Good early American Impresionism |
| 261 |
unknown |
|
19th C. |
Indian Mythology |
ink & gouache/paper |
|
Un |
5.25 x 4.75' |
150 |
200 |
No |
Bought in Poona, India - handmade paper |
| 60 |
unknown |
|
c.1910 |
Catskill and Shawangunks Mountains |
hand painted Photo |
|
Un |
9x13 |
100 |
200 |
No |
Well done vintage photograph. |
| 100 |
unknown |
|
c.1900 |
Male Nude (study) |
O/C |
|
Un |
36x21 |
800 |
1200 |
No |
Pennsylvania or New York |
| 90 |
unknown |
|
c.1900 |
Nude and Reptiles |
O/C |
|
LR |
6x10 |
600 |
800 |
No |
Signed indistinctly. Orientalist school. |
| 68 |
unknown |
|
c.1880 |
Mountain Landscape |
watercolor |
|
Un |
21.5x16 |
1000 |
1200 |
No |
German/American school. Fine quality. Note botanicals. Carved
and water gilded frame. |
| 143 |
unknown |
|
c.1890 |
Mythological Fantasy |
watercolor/paper |
|
LL |
7.5x5.25 |
350 |
400 |
No |
German school. Signed indistintly LL. Possible study for
decorative panel |
| 142 |
unknown |
|
1966 |
Horse Race |
oil/canvas |
|
verso |
8x12 |
800 |
1200 |
No |
Exceptional quality. Indistinct signature |
| 45 |
Alan F. |
Alexander |
|
Cowboy and Cattle |
O/C |
|
LL |
16x20 |
500 |
700 |
No |
|
| 126 |
Willard L. |
Allen |
1914 |
Winter, View From My Studio Window |
O/C |
|
LR |
12x16 |
1400 |
1800 |
Yes |
Woodstock wormy chestnut frame. |
| 120 |
Willard |
Allen |
c.1915 |
Winter in Woodstock |
O/C |
|
verso |
16x20 |
3500 |
4500 |
Yes |
Artist's studio label on verso. Signed and inscribed. |
| 87 |
Willard L. |
Allen |
c.1915 |
White Highlands No.2 |
O/B |
|
LR |
8x10 |
600 |
800 |
Yes |
Early Woodstock landscape painter. |
| 190 |
Eric |
Angeloch |
c. 2000 |
Corn Hill, Salt Marsh |
O/canvasboard |
|
UR |
17.5 x 14.5" |
200 |
300 |
No |
|
| 185 |
Marie |
Arndt |
1955 |
Still Life with Window |
O/C |
|
LR |
18x15.5 |
400 |
600 |
No |
signed through varnish |
| 225 |
Paul W. |
Arndt |
c. 1950 |
Sunset River Scene |
O/C |
|
LL |
20 x 24" |
300 |
500 |
No |
|
| 30 |
Dean |
Arnold |
1960s |
View of Woodstock Country Club |
O/C |
|
LL |
21 x 24" |
350 |
600 |
No |
|
| 127 |
March |
Avery |
1959 |
Portrait of Milton Avery Seated |
O/B |
|
UR |
48x24 |
8000 |
12000 |
Yes |
Painted by artist's daughter |
| 54 |
Sally |
Avery-Michael |
1989 |
Reclining Male Nude |
graphite & crayon/paper |
|
LR |
16x13 |
1000 |
1500 |
No |
Woodstock artist and wife of Milton Avery |
| 12 |
Bill |
Baird |
1979 |
Lipton |
pen & pastel/paper |
|
LR |
10 x 10" |
150 |
250 |
No |
|
| 1 |
Vera |
Balter |
2004 |
Not-so-still-life |
watercolor/paper |
|
LR |
12 x 8.5" |
200 |
350 |
No |
|
| 28 |
Al |
Barker |
2005 |
Moon Over the Marsh |
O/B |
|
LL |
4.5x12 |
650 |
750 |
No |
|
| 29 |
Al |
Barker |
2005 |
Summer Beach |
O/B |
|
LL |
5.25x11 |
650 |
750 |
No |
|
| 67 |
Antonio |
Baronne |
c.1915 |
Hay Barge |
O/B |
|
LR |
12x16 |
450 |
550 |
No |
|
| 31 |
Leonard |
Baskin |
c. 1968 |
Bega |
etching |
A.P. |
LR |
26.5 x 23" |
200 |
300 |
No |
|
| 46 |
Maurice |
Becker |
1924 |
Washer Women-Mexico |
pastel/paper |
|
LL |
10.5x8.5 |
500 |
700 |
Yes |
Artist in Mexico w/ Sigueros and Rivera. Whitney Studio Club
Exhibiton 1924. |
| 230 |
Maurice |
Becker |
c.1925 |
Cuernavaca Group (Mexico) |
O/C |
|
LL & verso |
40x30 |
1000 |
2000 |
No |
Condition:lifting from strecther strips. |
| 193 |
Leslie |
Bender |
1990 |
Winds of Change |
lithograph |
A/P |
LR |
19 x 25" |
200 |
300 |
No |
|
| 141 |
Ben |
Benn |
1930 |
Horseman at Beach |
watercolor/paper |
|
LR |
8.5x11.5 |
1200 |
1500 |
No |
|
| 117 |
Ben |
Benn |
1933 |
Landscape, Woodstock |
O/C |
|
LR |
14x18 |
1000 |
1500 |
Yes |
Artist's label identifying place and date on stretcher |
| 131 |
John W. |
Bentley |
c.1930 |
Woodstock Library |
O/canvas board |
|
LR |
8.25x10.25 |
1750 |
2250 |
Yes |
Inscribed by artist on verso. |
| 128 |
John |
Bentley |
c.1930 |
Winter Scene |
O/B |
|
LL |
12x16 |
6000 |
8000 |
Yes |
Provenance: Mrs. Willard Allen, Woodstock, NY |
| 184 |
John W. |
Bentley |
c. 1925 |
Hilltop Village |
O/C |
|
LL |
12 x 16" |
2000 |
3000 |
Yes |
|
| 132 |
John W. |
Bentley |
c.1930 |
Dutch Reformed Church-Woodsock |
O/canvas board |
|
LR |
8.25x10.25 |
1750 |
2250 |
Yes |
|
| 172 |
Roger |
Binghamton |
|
Young Girl Of Privilege |
O/C w/gold leaf |
|
see note |
19x15.5 |
4000 |
5000 |
No |
inscribed on verso artist's name and date. |
| 64 |
J. Stuart |
Blackton |
c.1910 |
The Searchlight |
O/C |
|
Un |
18x28 |
1000 |
2000 |
No |
Probably original art for marine print. Multiple canvas
repairs, artist's inscription and name on verso. Original carved and
gilded frame. |
| 250 |
Arnold |
Blanch |
1960 |
Stained Glass Study |
mixed media/paper |
|
LL |
13.5x8 |
150 |
250 |
No |
Gallery label on verso. |
| 52 |
Arnold |
Blanch |
c.1960 |
Floral Bouquet |
O/B |
|
LR |
19x13.5 |
300 |
400 |
No |
Rudolph Galleries (Woodstock) label on verso. |
| 38 |
Arnold |
Blanch |
c. 1920 |
Weekend in … |
watercolor |
|
LR |
8.5 x 11" |
200 |
300 |
No |
|
| 183 |
Arnold |
Blanch |
c.1950 |
Duck Hunter |
Color Litho |
|
LR |
8x13 |
200 |
300 |
No |
|
| 157 |
Clarence |
Bolton |
c.1930 |
Winter Holiday |
Litho |
25 |
LR |
9.25x12.5 |
150 |
250 |
No |
|
| 243 |
Clarence |
Bolton |
c.1940 |
Winter |
Litho |
|
LR |
9x12.75 |
150 |
200 |
No |
|
| 118 |
Clarence |
Bolton |
c.1930 |
Red Maple |
O/C |
|
LR |
16x20 |
3000 |
4000 |
Yes |
|
| 247 |
Clarence |
Bolton |
c.1940 |
Catskill Winter |
Litho |
|
LR |
10.5x14 |
200 |
300 |
No |
|
| 237 |
Louis |
Bouche |
c. 1950 |
Trees and Boat Dock |
O/C |
|
Un |
20.25 x 24" |
1500 |
2000 |
No |
Collection of the Artist's Estate |
| 176 |
Louis |
Bouche |
1951 |
Seated Nude |
O/C |
|
UR |
24.5 x 19" |
1500 |
2000 |
No |
Period Frame |
| 226 |
Louis |
Bouche |
c. 1940s |
Madison Road |
O/C |
|
LL |
24 x 20" |
2000 |
2500 |
No |
|
| 258 |
Fiske |
Boyd |
1932 |
Washingtonville Bridge (With Nude Citizens) |
woodcut |
#128 |
LL |
9.5 x 12.25" |
150 |
250 |
No |
|
| 130 |
Aaron I. |
Brown |
c.1955 |
New England Village |
O/B |
|
LR |
14x18 |
1200 |
1500 |
Yes |
Artist residence: Mount Vernon, NY |
| 53 |
Bolton |
Brown |
|
Below the Falls |
Litho |
|
LL |
10x13.75 |
200 |
300 |
No |
See Bolton Brown book Crayon and Stone. Also signed in plate. |
| 92 |
Petra |
Cabot |
c.1935 |
Boy With Lamp |
O/B |
|
LL |
20x15 |
3000 |
3500 |
No |
Artist designed frame. Labels on verso - Riverside Museum, WAA |
| 41 |
Edgar Malcom |
Case |
c.1950 |
Abstract Figures |
ink & watercolor |
|
LC |
10x6 |
300 |
500 |
No |
Artist resided NYC 1950's |
| 137 |
Frank Swift |
Chase |
c. 1925 |
Mountain Landscape |
O/B |
|
LL |
12 x 16" |
800 |
1200 |
Yes |
|
| 36 |
Eduardo |
Chavez |
c. 1940s |
Fighting Cocks |
lithograph |
|
LR |
11 X 14" |
150 |
250 |
No |
|
| 94 |
Mervine |
Chianelli |
1973 |
Apocolypse-Four Horseman |
Bronze |
|
Un |
8hx9wx21L |
1000 |
1200 |
No |
Artist designed glass and natural wood base. Member NAWA |
| 119 |
Allen |
Cochran |
c.1930 |
Autumn Landscape, Byrdcliffe |
O/C |
|
LR |
20x16 |
3000 |
4000 |
Yes |
|
| 86 |
Allen |
Cochran |
c.1915 |
Lengthening Meadows |
O/canvas board |
|
LR |
8x10 |
1000 |
2000 |
Yes |
Inscription on verso by artist. |
| 154 |
Allen D. |
Cochran |
c. 1950s |
View of Rose Cottage |
O/canvasboard |
|
LR |
11.5 x 15" |
1000 |
2000 |
No |
|
| 88 |
Allen |
Cochran |
c.1920 |
October Sky |
O/B |
|
LR |
8x10 |
1500 |
1800 |
Yes |
Provenance: Mrs. Willard Allen, Woodstock, NY |
| 201 |
John |
Costigan |
c.1950 |
Boy With Cows |
drypoint |
|
LR |
9.5x12 |
150 |
200 |
No |
|
| 47 |
V. |
Cot |
c.1920 |
Gypsy Dancer |
glazed porcelain |
|
LL |
5x4 |
400 |
500 |
No |
Artist Atelier label on verso, Limoge. |
| 231 |
Konrad |
Cramer |
1934 |
Mexican Steet Scene |
mixed media |
|
estate stamp |
19x12.5 |
300 |
500 |
No |
Estate stamp on verso. |
| 206 |
Konrad |
Cramer |
1935 |
Conversation Night |
lithograph/chine colle |
|
LR |
10 X 14" |
200 |
300 |
No |
|
| 50 |
Konrad |
Cramer |
c.1936 |
Plaza, Mexico |
gouache/board |
|
Un |
24x17.5 |
2500 |
3500 |
No |
Signed and dated by artist's daughter on verso. This
German/American Woodstock artist was highly experimental: note the
stencil technique. |
| 40 |
Konrad |
Cramer |
c. 1936 |
Despondent |
pen & ink/paper |
|
Un |
9 x 8" |
400 |
500 |
No |
Artist's estate |
| 76 |
Florence |
Cramer |
c. 1930 |
Stony Hollow |
oil on paper |
|
LR |
11.5 x 18" |
800 |
900 |
No |
|
| 39 |
Konrad |
Cramer |
c. 1930 |
Nude Reading |
graphite |
|
LC |
12.5 x 8.75" |
500 |
600 |
No |
Artist's estate |
| 4 |
Richard H. |
Crist |
1982 |
Flying Cluster |
O/C |
|
|