| 215 |
unknown |
|
19th c |
Beheading Scene |
copper with tin enhancement |
|
Atelier stamp |
17 x 26" |
100 |
200 |
No |
Hand tooled & repousse crease LL |
| 24 |
unknown |
|
18th-19th Century |
Portrait of a lady |
painted oval |
|
see note |
2.5x2oval |
300 |
400 |
No |
Miniature - signed indistinctly lower center J.N. Conn(?) |
| 263 |
unknown |
|
|
Custom |
hand colored engraving |
|
Un |
12.5x7.75 |
100 |
200 |
No |
from John Bickman "the Illustrated Penman" |
| 22 |
unknown |
|
|
Portrait of Queen Elisabeth I |
tempera on vellum |
|
Un |
6x5.25oval |
200 |
400 |
No |
Condition: Cracking. |
| 255 |
unknown |
|
c.1900 |
Buffalo Hunter |
O/C |
|
Un |
16x22 |
800 |
1000 |
No |
American School |
| 82 |
unknown |
|
1950 |
The Ballet Dancer |
O/C |
|
LR |
10X9.5 |
300 |
500 |
No |
signed indistinctly. Woodstock wormy chestnut frame. |
| 72 |
unknown |
|
c.1870 |
Portrait of a Gentleman |
O/C |
|
Un |
30x24 |
1000 |
2000 |
No |
American School. Original colonial frame. |
| 136 |
unknown |
|
|
Portrait of an American Woman |
O/C |
|
Un |
40x30 |
1500 |
2500 |
No |
Model resembles Mrs. Abbott Thayer (Bessie) |
| 95 |
unknown |
|
c.1945 |
Expressionist Portrait of a Woman |
O/C |
|
Un |
40x30 |
800 |
1200 |
No |
|
| 59 |
unknown |
|
c.1900 |
Arcadian Landscape With Sail Boat |
O/C |
|
Un |
24x30 |
300 |
500 |
No |
American School. Interesting feather-grained frame. |
| 245 |
unknown |
|
1936 |
The Blind Leading The Blind |
gouache/paper |
|
LR see note |
8.5x18 |
300 |
400 |
No |
Signed with initials A.H. |
| 228 |
unknown |
|
nd |
Bird with Beak |
iron & steel |
|
Un |
22 x 25 x 9" |
250 |
400 |
Yes |
|
| 73 |
unknown |
|
c.1850 |
Portrait of a Gentleman |
pastel/paper |
|
Un |
28x21.5 |
1500 |
2500 |
No |
American School. Finely crafted gilded early American frame.
Condition: some water damage. |
| 240 |
unknown |
|
c.1880s |
Squirrel |
natural materials |
|
Un |
12.75 x 9.75 |
150 |
250 |
No |
Victorian oval frame |
| 220 |
unknown |
|
c.1940 |
Woodstock Barn From Bradley Meadow |
O/canvas board |
|
LR |
9x12 |
200 |
300 |
No |
signed indistinctly lower right. |
| 37 |
unknown |
|
1911 |
Laspeditosa Vittoria Italiana Tripolli |
color lithograph |
|
LL |
13 x 19" |
150 |
250 |
No |
Published by London Printing & Publishing |
| 262 |
unknown |
|
c1950 |
three traditional Chinese paintings |
watercolor & ink/paper |
|
see note |
10x13 |
100 |
150 |
No |
each print is signed and chopmarked. Size is per image. |
| 13 |
unknown |
|
1951 |
America's First Art Film Festival |
lithograph/poster |
|
Un |
22.5 x 17" |
150 |
250 |
No |
|
| 259 |
unknown |
|
c. 1950 |
Mythological Beast |
metal |
|
LC |
14.5 x 11.5" |
150 |
250 |
No |
Signature not legible |
| 194 |
unknown |
|
|
Billiard Game |
acrylic/canvas |
|
LL |
27x39 |
400 |
600 |
No |
Signed indistinctly |
| 48 |
unknown |
|
c.1910 |
Impressionist Landscape |
O/B |
|
Un |
6.5x9.5 |
100 |
200 |
No |
Good early American Impresionism |
| 261 |
unknown |
|
19th C. |
Indian Mythology |
ink & gouache/paper |
|
Un |
5.25 x 4.75' |
150 |
200 |
No |
Bought in Poona, India - handmade paper |
| 60 |
unknown |
|
c.1910 |
Catskill and Shawangunks Mountains |
hand painted Photo |
|
Un |
9x13 |
100 |
200 |
No |
Well done vintage photograph. |
| 100 |
unknown |
|
c.1900 |
Male Nude (study) |
O/C |
|
Un |
36x21 |
800 |
1200 |
No |
Pennsylvania or New York |
| 90 |
unknown |
|
c.1900 |
Nude and Reptiles |
O/C |
|
LR |
6x10 |
600 |
800 |
No |
Signed indistinctly. Orientalist school. |
| 68 |
unknown |
|
c.1880 |
Mountain Landscape |
watercolor |
|
Un |
21.5x16 |
1000 |
1200 |
No |
German/American school. Fine quality. Note botanicals. Carved
and water gilded frame. |
| 143 |
unknown |
|
c.1890 |
Mythological Fantasy |
watercolor/paper |
|
LL |
7.5x5.25 |
350 |
400 |
No |
German school. Signed indistintly LL. Possible study for
decorative panel |
| 142 |
unknown |
|
1966 |
Horse Race |
oil/canvas |
|
verso |
8x12 |
800 |
1200 |
No |
Exceptional quality. Indistinct signature |
| 45 |
Alan F. |
Alexander |
|
Cowboy and Cattle |
O/C |
|
LL |
16x20 |
500 |
700 |
No |
|
| 126 |
Willard L. |
Allen |
1914 |
Winter, View From My Studio Window |
O/C |
|
LR |
12x16 |
1400 |
1800 |
Yes |
Woodstock wormy chestnut frame. |
| 120 |
Willard |
Allen |
c.1915 |
Winter in Woodstock |
O/C |
|
verso |
16x20 |
3500 |
4500 |
Yes |
Artist's studio label on verso. Signed and inscribed. |
| 87 |
Willard L. |
Allen |
c.1915 |
White Highlands No.2 |
O/B |
|
LR |
8x10 |
600 |
800 |
Yes |
Early Woodstock landscape painter. |
| 190 |
Eric |
Angeloch |
c. 2000 |
Corn Hill, Salt Marsh |
O/canvasboard |
|
UR |
17.5 x 14.5" |
200 |
300 |
No |
|
| 185 |
Marie |
Arndt |
1955 |
Still Life with Window |
O/C |
|
LR |
18x15.5 |
400 |
600 |
No |
signed through varnish |
| 225 |
Paul W. |
Arndt |
c. 1950 |
Sunset River Scene |
O/C |
|
LL |
20 x 24" |
300 |
500 |
No |
|
| 30 |
Dean |
Arnold |
1960s |
View of Woodstock Country Club |
O/C |
|
LL |
21 x 24" |
350 |
600 |
No |
|
| 127 |
March |
Avery |
1959 |
Portrait of Milton Avery Seated |
O/B |
|
UR |
48x24 |
8000 |
12000 |
Yes |
Painted by artist's daughter |
| 54 |
Sally |
Avery-Michael |
1989 |
Reclining Male Nude |
graphite & crayon/paper |
|
LR |
16x13 |
1000 |
1500 |
No |
Woodstock artist and wife of Milton Avery |
| 12 |
Bill |
Baird |
1979 |
Lipton |
pen & pastel/paper |
|
LR |
10 x 10" |
150 |
250 |
No |
|
| 1 |
Vera |
Balter |
2004 |
Not-so-still-life |
watercolor/paper |
|
LR |
12 x 8.5" |
200 |
350 |
No |
|
| 28 |
Al |
Barker |
2005 |
Moon Over the Marsh |
O/B |
|
LL |
4.5x12 |
650 |
750 |
No |
|
| 29 |
Al |
Barker |
2005 |
Summer Beach |
O/B |
|
LL |
5.25x11 |
650 |
750 |
No |
|
| 67 |
Antonio |
Baronne |
c.1915 |
Hay Barge |
O/B |
|
LR |
12x16 |
450 |
550 |
No |
|
| 31 |
Leonard |
Baskin |
c. 1968 |
Bega |
etching |
A.P. |
LR |
26.5 x 23" |
200 |
300 |
No |
|
| 46 |
Maurice |
Becker |
1924 |
Washer Women-Mexico |
pastel/paper |
|
LL |
10.5x8.5 |
500 |
700 |
Yes |
Artist in Mexico w/ Sigueros and Rivera. Whitney Studio Club
Exhibiton 1924. |
| 230 |
Maurice |
Becker |
c.1925 |
Cuernavaca Group (Mexico) |
O/C |
|
LL & verso |
40x30 |
1000 |
2000 |
No |
Condition:lifting from strecther strips. |
| 193 |
Leslie |
Bender |
1990 |
Winds of Change |
lithograph |
A/P |
LR |
19 x 25" |
200 |
300 |
No |
|
| 141 |
Ben |
Benn |
1930 |
Horseman at Beach |
watercolor/paper |
|
LR |
8.5x11.5 |
1200 |
1500 |
No |
|
| 117 |
Ben |
Benn |
1933 |
Landscape, Woodstock |
O/C |
|
LR |
14x18 |
1000 |
1500 |
Yes |
Artist's label identifying place and date on stretcher |
| 131 |
John W. |
Bentley |
c.1930 |
Woodstock Library |
O/canvas board |
|
LR |
8.25x10.25 |
1750 |
2250 |
Yes |
Inscribed by artist on verso. |
| 128 |
John |
Bentley |
c.1930 |
Winter Scene |
O/B |
|
LL |
12x16 |
6000 |
8000 |
Yes |
Provenance: Mrs. Willard Allen, Woodstock, NY |
| 184 |
John W. |
Bentley |
c. 1925 |
Hilltop Village |
O/C |
|
LL |
12 x 16" |
2000 |
3000 |
Yes |
|
| 132 |
John W. |
Bentley |
c.1930 |
Dutch Reformed Church-Woodsock |
O/canvas board |
|
LR |
8.25x10.25 |
1750 |
2250 |
Yes |
|
| 172 |
Roger |
Binghamton |
|
Young Girl Of Privilege |
O/C w/gold leaf |
|
see note |
19x15.5 |
4000 |
5000 |
No |
inscribed on verso artist's name and date. |
| 64 |
J. Stuart |
Blackton |
c.1910 |
The Searchlight |
O/C |
|
Un |
18x28 |
1000 |
2000 |
No |
Probably original art for marine print. Multiple canvas
repairs, artist's inscription and name on verso. Original carved and
gilded frame. |
| 250 |
Arnold |
Blanch |
1960 |
Stained Glass Study |
mixed media/paper |
|
LL |
13.5x8 |
150 |
250 |
No |
Gallery label on verso. |
| 52 |
Arnold |
Blanch |
c.1960 |
Floral Bouquet |
O/B |
|
LR |
19x13.5 |
300 |
400 |
No |
Rudolph Galleries (Woodstock) label on verso. |
| 38 |
Arnold |
Blanch |
c. 1920 |
Weekend in … |
watercolor |
|
LR |
8.5 x 11" |
200 |
300 |
No |
|
| 183 |
Arnold |
Blanch |
c.1950 |
Duck Hunter |
Color Litho |
|
LR |
8x13 |
200 |
300 |
No |
|
| 157 |
Clarence |
Bolton |
c.1930 |
Winter Holiday |
Litho |
25 |
LR |
9.25x12.5 |
150 |
250 |
No |
|
| 243 |
Clarence |
Bolton |
c.1940 |
Winter |
Litho |
|
LR |
9x12.75 |
150 |
200 |
No |
|
| 118 |
Clarence |
Bolton |
c.1930 |
Red Maple |
O/C |
|
LR |
16x20 |
3000 |
4000 |
Yes |
|
| 247 |
Clarence |
Bolton |
c.1940 |
Catskill Winter |
Litho |
|
LR |
10.5x14 |
200 |
300 |
No |
|
| 237 |
Louis |
Bouche |
c. 1950 |
Trees and Boat Dock |
O/C |
|
Un |
20.25 x 24" |
1500 |
2000 |
No |
Collection of the Artist's Estate |
| 176 |
Louis |
Bouche |
1951 |
Seated Nude |
O/C |
|
UR |
24.5 x 19" |
1500 |
2000 |
No |
Period Frame |
| 226 |
Louis |
Bouche |
c. 1940s |
Madison Road |
O/C |
|
LL |
24 x 20" |
2000 |
2500 |
No |
|
| 258 |
Fiske |
Boyd |
1932 |
Washingtonville Bridge (With Nude Citizens) |
woodcut |
#128 |
LL |
9.5 x 12.25" |
150 |
250 |
No |
|
| 130 |
Aaron I. |
Brown |
c.1955 |
New England Village |
O/B |
|
LR |
14x18 |
1200 |
1500 |
Yes |
Artist residence: Mount Vernon, NY |
| 53 |
Bolton |
Brown |
|
Below the Falls |
Litho |
|
LL |
10x13.75 |
200 |
300 |
No |
See Bolton Brown book Crayon and Stone. Also signed in plate. |
| 92 |
Petra |
Cabot |
c.1935 |
Boy With Lamp |
O/B |
|
LL |
20x15 |
3000 |
3500 |
No |
Artist designed frame. Labels on verso - Riverside Museum, WAA |
| 41 |
Edgar Malcom |
Case |
c.1950 |
Abstract Figures |
ink & watercolor |
|
LC |
10x6 |
300 |
500 |
No |
Artist resided NYC 1950's |
| 137 |
Frank Swift |
Chase |
c. 1925 |
Mountain Landscape |
O/B |
|
LL |
12 x 16" |
800 |
1200 |
Yes |
|
| 36 |
Eduardo |
Chavez |
c. 1940s |
Fighting Cocks |
lithograph |
|
LR |
11 X 14" |
150 |
250 |
No |
|
| 94 |
Mervine |
Chianelli |
1973 |
Apocolypse-Four Horseman |
Bronze |
|
Un |
8hx9wx21L |
1000 |
1200 |
No |
Artist designed glass and natural wood base. Member NAWA |
| 119 |
Allen |
Cochran |
c.1930 |
Autumn Landscape, Byrdcliffe |
O/C |
|
LR |
20x16 |
3000 |
4000 |
Yes |
|
| 86 |
Allen |
Cochran |
c.1915 |
Lengthening Meadows |
O/canvas board |
|
LR |
8x10 |
1000 |
2000 |
Yes |
Inscription on verso by artist. |
| 154 |
Allen D. |
Cochran |
c. 1950s |
View of Rose Cottage |
O/canvasboard |
|
LR |
11.5 x 15" |
1000 |
2000 |
No |
|
| 88 |
Allen |
Cochran |
c.1920 |
October Sky |
O/B |
|
LR |
8x10 |
1500 |
1800 |
Yes |
Provenance: Mrs. Willard Allen, Woodstock, NY |
| 201 |
John |
Costigan |
c.1950 |
Boy With Cows |
drypoint |
|
LR |
9.5x12 |
150 |
200 |
No |
|
| 47 |
V. |
Cot |
c.1920 |
Gypsy Dancer |
glazed porcelain |
|
LL |
5x4 |
400 |
500 |
No |
Artist Atelier label on verso, Limoge. |
| 231 |
Konrad |
Cramer |
1934 |
Mexican Steet Scene |
mixed media |
|
estate stamp |
19x12.5 |
300 |
500 |
No |
Estate stamp on verso. |
| 206 |
Konrad |
Cramer |
1935 |
Conversation Night |
lithograph/chine colle |
|
LR |
10 X 14" |
200 |
300 |
No |
|
| 50 |
Konrad |
Cramer |
c.1936 |
Plaza, Mexico |
gouache/board |
|
Un |
24x17.5 |
2500 |
3500 |
No |
Signed and dated by artist's daughter on verso. This
German/American Woodstock artist was highly experimental: note the
stencil technique. |
| 40 |
Konrad |
Cramer |
c. 1936 |
Despondent |
pen & ink/paper |
|
Un |
9 x 8" |
400 |
500 |
No |
Artist's estate |
| 76 |
Florence |
Cramer |
c. 1930 |
Stony Hollow |
oil on paper |
|
LR |
11.5 x 18" |
800 |
900 |
No |
|
| 39 |
Konrad |
Cramer |
c. 1930 |
Nude Reading |
graphite |
|
LC |
12.5 x 8.75" |
500 |
600 |
No |
Artist's estate |
| 4 |
Richard H. |
Crist |
1982 |
Flying Cluster |
O/C |
|
LR |
24 x 32" |
300 |
500 |
No |
|
| 62 |
Franklin |
DeHaven |
1902 |
Shower Passing Out to Sea |
O/C |
|
LL & verso |
24 x 30" |
1000 |
2000 |
Yes |
|
| 179 |
Adolph |
Dehn |
1950 |
Dark Trio |
O/B |
|
LR |
30x22 |
800 |
1200 |
No |
Period wormy chestnut Woodstock frame. |
| 212 |
Adolph |
Dehn |
c.1950 |
Story of a Farm Girl |
Litho |
|
LR |
14x11 |
200 |
300 |
No |
|
| 169 |
Robert |
Disraeli |
1938 |
Stuart Davis working on Murals |
silver print |
|
Un |
8.75 x 7 " |
400 |
600 |
No |
Stuart Davis working on Murals at Marine Air Term. Photofind
gallery label. |
| 213 |
J. |
Dixon |
|
Sand Dune Idlers |
O/C |
|
LR |
24x36 |
1500 |
2500 |
No |
After William Merrit Chase? |
| 171 |
Peggy |
Dodds |
c. 1940s |
Floral Still Life |
O/C |
|
UR |
33 x 28 |
1000 |
1500 |
Yes |
|
| 241 |
L |
Drake |
WWII |
Chest and Chess |
O/C |
|
LR |
15x19 |
400 |
600 |
No |
SanFrancisco artist |
| 196 |
Ludwik |
Durchanek |
c.1940 |
Boy With Pitcher |
graphite/paper |
|
LL |
10.25x8.75 |
500 |
700 |
No |
|
| 138 |
John Franklin |
Earhart |
1908 |
Tonal Landscape |
O/C |
|
LL |
16x12 |
1000 |
1500 |
No |
Also signed on verso. Original period frame. Cincinnati
artist. |
| 239 |
Emmett |
Edwards |
1934 |
(Dockside) |
watercolor |
|
LR & verso |
14.5 x 22.5" |
300 |
400 |
No |
|
| 18 |
Emmett |
Edwards |
1932 |
Still Life |
watercolor |
|
LR |
14 x 17" |
250 |
350 |
No |
|
| 266 |
Emmett |
Edwards |
1934 |
Abstract |
watercolor |
|
LR |
22 x 15' |
200 |
300 |
No |
|
| 91 |
Kip |
Eggert |
2005 |
Coolibah Wood Bowl |
carved wood |
|
bottom |
18x18x3.5 |
200 |
300 |
No |
Rare wood - one of a kind. |
| 14 |
Students-Woodstock |
Elem. School |
nd |
2 Prints of Student Work |
etchings |
|
Un |
30 x 22.5" |
150 |
250 |
No |
collaborative effort of Woodstock Elem. Students |
| 23 |
Harvey |
Emrich |
c.1940 |
The New Field |
O/wood panel |
|
estate stamp |
9.5x12.5 |
250 |
350 |
No |
Estate stamp lower right Emrich Estate |
| 219 |
Harvey |
Emrich |
c.1940 |
Hillside Haystacks, Woodstock |
O/B |
|
estate stamp LR |
12x8.5 |
500 |
700 |
No |
|
| 211 |
Lily |
Ente |
c. 1960s |
Stylized Pelican |
black Belgian marble |
|
Un |
17 x 4 x 7" |
1000 |
1500 |
Yes |
|
| 227 |
John G. |
Ernest |
nd |
(Sun & Mountains) |
gouache on veneer |
|
LR |
6 x 8.5" |
100 |
250 |
No |
|
| 222 |
John G. |
Ernst |
c. 1950s |
Southwest Tapestry |
watercolor/paper |
|
LR |
7 x 9.75" |
150 |
250 |
No |
|
| 223 |
John G. |
Ernst |
c. 1960 |
untitled (Mountains) |
ink& watercolor |
|
LR |
9.5 x 12.5" |
300 |
400 |
No |
|
| 57 |
Alf & Ivar |
Evers |
c.50 & c.15 |
Tropical Tree/Stone Farm House |
wc/p & wc/p |
|
LL & LL |
14x10 & 11x15 |
1000 |
1500 |
No |
Lot is both watercolors. Condition: Ivar watecolor has foxing
upper left |
| 200 |
Gladys |
Fairfield |
|
Power Plant at Night |
watercolor |
|
LR |
20x17 |
300 |
400 |
No |
|
| 175 |
Ernest |
Fiene |
c. 1930s |
Still Life with Anemones |
O/C |
|
LR |
20 x 14" |
800 |
1200 |
Yes |
|
| 80 |
Leonore |
Fini |
1980 |
The Royal Wedding |
hand colored etching |
201/280 |
LR |
17x14.25 |
800 |
1000 |
No |
|
| 257 |
Leonor |
Fini |
c.1940 |
Dancer |
Litho |
101/180 |
LR |
14x10.5 |
100 |
150 |
No |
|
| 96 |
Rev. Howard |
Finster |
Jan 6, 1991 |
Marilyn Monroe |
paint/plywood |
|
LR |
72x20 |
2500 |
3500 |
Yes |
Extensively inscribed with sermon/advice. Numbered 17,000.509
book on artist accompanies lot. |
| 5 |
St Julian |
Fishburne |
1951 |
Still Life |
O/C |
|
UR |
26x16 |
400 |
600 |
No |
|
| 101 |
Karl |
Fortess |
1927 |
Winter Landscape With Stone Wall |
O/C |
|
LR & verso |
24x30 |
1500 |
2500 |
No |
Very early Fortess. |
| 51 |
Karl |
Fortess |
c.1950 |
At The Art Gallery |
Litho |
2/8 |
LR |
9x13 |
100 |
150 |
No |
Rare |
| 202 |
Mary |
Frank |
1986 |
Trees |
watercolor/ paper |
|
LR |
24 x 16.5 " |
700 |
900 |
No |
Collection of Sam & Pauline Klein |
| 204 |
Don |
Freeman |
c. 1945 |
Subway Scene |
color lithograph |
|
LR |
10.75 x 8" |
150 |
250 |
No |
|
| 63 |
George F. |
Fuller |
c.1880 |
Portrait of S.S. New York |
silk, gouache & brocade thread |
|
LL |
13x25 |
1000 |
2000 |
No |
Condition: some deterioration in silk background. Billowed
dimensional sails |
| 166 |
Emil |
Ganso |
c.1930 |
Landscape with Farm |
O/B |
|
LR |
14.5x19.5 |
3000 |
4000 |
Yes |
1999 appraisal letter on verso. |
| 153 |
Emil |
Ganso |
c.1930 |
Still Life with Fruit and Linen |
O/Canvas panel |
|
LR |
17x23 |
3000 |
4000 |
No |
period carved and gesso frame |
| 156 |
Emil |
Ganso |
c.1930 |
Seated Model |
Litho |
|
LR |
12x9 |
500 |
700 |
No |
|
| 70 |
George Howel |
Gay |
c.1890 |
Rocky Coastline |
watercolor/paper |
|
LL |
10x20 |
2000 |
3000 |
Yes |
|
| 99 |
Margarita |
Gibbons |
c.1940 |
View From My Window - 52 W. 52nd ST |
O/C |
|
LL & verso |
28x19 |
1000 |
1500 |
No |
Craftsman combed frame. |
| 89 |
|
Giberic |
1965 |
Erotic Women |
watercolor/paper |
|
LL&LR |
6x5.5&7.5x6 |
300 |
400 |
No |
Pair is one lot. Gallery labels on verso. |
| 149 |
Francisco |
Goya |
1816 |
#17 of Bullfight Series |
etching & aquatint |
ed. 240 |
Un |
9.5 x 13.75" |
1000 |
1200 |
No |
|
| 133 |
Marion |
Greenwood |
c.1940 |
Plantation Workers |
mixed media |
|
LL |
15x19 |
1200 |
1800 |
No |
Wormy chestnut frame. |
| 122 |
Marion |
Greenwood |
c.1950 |
Taraskan Children |
mixed media/paper |
|
LR |
32x24 |
2000 |
3000 |
No |
|
| 181 |
J |
Greenwood |
c.1950 |
Sister at Her Easel |
watercolor/paper |
|
LL |
14.5x18 |
800 |
1000 |
No |
Signature includes "A.W.S." |
| 162 |
Marion |
Greenwood |
1940 |
La Indio |
O/C |
|
LL |
20x16 |
2000 |
2500 |
No |
Rudolph Gallery (Woodstock) label on verso. |
| 163 |
Marion |
Greenwood |
c.1935 |
Mexican Peasant |
charcoal/paper |
|
LR |
19.5x14.5 |
1000 |
1500 |
Yes |
inscription on verso noting this piece was a cover
illustration for "New Masses". |
| 159 |
Philip |
Guston |
c.1937 |
Still Life with Lemons and Grapes |
gouache/board |
` |
LL |
15x21 |
10000 |
20000 |
Yes |
This type of still life is mentioned in Musa Guston Mayer's
memoirs, Night Studio (page 22). |
| 121 |
Albert |
Handel |
c.1980 |
Reclining Nude |
O/B |
|
UL |
18x24 |
2500 |
3500 |
No |
Artist's Woodstock Studio label on verso |
| 19 |
Rosella |
Hartman |
1935 |
Deer |
ink/paper |
|
LR |
11.5x16.5 |
600 |
800 |
No |
|
| 265 |
Rosella |
Hartman |
c. 1940s |
(Deer in the Moonlight) |
lithograph |
ed. 30 |
LR |
9 x 12.5" |
100 |
150 |
No |
Foxing Overall/Inscribed |
| 144 |
Rosella |
Hartman |
c.1940 |
Tiger Tiger |
Litho |
35/50 |
LR |
13.5x10 |
700 |
1000 |
No |
Letter from Whitney Museum on verso related to piece. Artist
designed frame-rare. |
| 264 |
Rosella |
Hartman |
1934 |
Roses |
Litho |
|
LR |
12.5x10 |
200 |
300 |
No |
Inscribed "Paris 1934". Art Institue of Chicago exhibition
label on verso. Condition:light foxing overall. |
| 253 |
Rosella |
Hartman |
1938 |
African Deer |
pen & ink /paper |
|
LR |
10x13 |
150 |
250 |
No |
Related letter from Whitney Museum on verso. |
| 61 |
George W. |
Harvey |
c. 1900 |
Sailboats |
watercolor/gouache |
|
LL |
20.5 x 24" |
400 |
500 |
No |
|
| 256 |
Rudolf |
Hause |
1928 |
Entrance |
O/C |
|
LR |
20x16 |
600 |
800 |
No |
Inscribed with artist's name. Date and location on verso.
Fine period frame. |
| 66 |
Rudolf |
Hause |
1928 |
Countryside and Village-Germany |
O/C |
|
LL |
24x28 |
1000 |
1500 |
No |
Fine period frame. Signed by artist and location given on
verso |
| 3 |
Anne G. |
Helioff |
c. 1960 |
Untitled (Abstract) |
O/B |
|
UL |
30 x 20" |
300 |
400 |
No |
|
| 249 |
Make |
Hing |
c.1970 |
Blossom |
pastel/paper |
|
UL |
12x18 |
200 |
300 |
No |
|
| 65 |
|
Hobbs |
c.1900 |
Riverside Encampment |
pastel/board |
|
LR |
20x30 |
500 |
800 |
No |
|
| 180 |
Irwin |
Hoffman |
1955 |
Pancho |
O/B |
|
LR |
12x9 |
800 |
1200 |
No |
|
| 34 |
Gerrit |
Hondius |
c.1950 |
Circus Performers (pair) |
O/B |
|
UL & UL |
11x6 each |
1000 |
1500 |
No |
Student of Andrew Dasburg and Max Weber. Paint loss upper
left - one piece. |
| 2 |
E. H. |
Hubbard |
late 19th c. |
Peddlers (Uncle Sam) |
drypoint |
Trial Proof |
LR |
9.75 x 12.5" |
150 |
250 |
No |
Antique decorated frame |
| 195 |
Woodi |
Ishmael |
1959 |
Industrial Scene |
watercolor/paper |
|
LR |
15x27.75 |
300 |
400 |
No |
|
| 198 |
attributed, Hendrick |
Jan Wolfen |
c. 1930s |
River Quay & Boats |
O/B |
|
Un |
12 x 16" |
350 |
500 |
No |
Inscribed verso Hendrik Jan Wolfen (1873-1952) Father of a
former Woodstock resident Hendrik Wolfen |
| 139 |
Richard |
Jeffery |
c.1960 |
Woodstock Winter |
O/canvas board |
|
LR |
8x10 |
150 |
250 |
No |
|
| 236 |
H.P. |
Jensrund |
c. 1930s |
Norwegian Scene |
O/B |
|
LR |
20.5 x 28.5" |
300 |
500 |
No |
|
| 218 |
Vic |
Johnson |
20th Century |
Felix Ramirez (The Architect) |
O/B |
|
LL |
23x17 |
500 |
1000 |
No |
|
| 188 |
Nathaniel |
Kaz |
c.1950 |
Johnny Appleseed |
glazed ceramic |
|
bottom |
9" |
350 |
450 |
No |
|
| 32 |
P. R. |
Koeller |
nd |
Landscape with Clouds |
O/canvasboard |
|
LL |
9.5 x 7.5 |
300 |
500 |
No |
|
| 160 |
Walter |
Koeniger |
c.1925 |
Winter Stream, Woodstock |
O/B |
|
LL |
16x20 |
2000 |
3000 |
No |
|
| 93 |
Alex |
Kosta |
1972 |
The Man on Page Eight |
corrugated collage |
|
LR |
24x17 |
800 |
1000 |
No |
Lee Ault - NYC gallery label and bio on verso |
| 155 |
|
Laza |
1940s |
Glamour Girl |
graphite/gouache |
|
LR |
33 x45" |
500 |
1000 |
No |
Period frame |
| 186 |
|
Lebduska |
1955 |
The Flood |
O/B |
|
LR |
21 x 25" |
600 |
800 |
No |
Collection of Horace Titus |
| 208 |
Doris |
Lee |
c. 1935 |
Winter Scene with Skaters |
lithograph |
|
LR |
9.5 x 13" |
250 |
300 |
No |
|
| 235 |
Doris |
Lee |
c. 1940 |
Maypole |
lithograph |
|
LR |
11 x 14.5" |
200 |
300 |
No |
Condition: light struck, trimmed margins |
| 234 |
Doris |
Lee |
c. 1940s |
Strawberry Picking |
lithograph |
|
LR |
9.25 x 14.25" |
200 |
300 |
No |
|
| 58 |
Carl Eric |
Lindin |
1901 |
Portrait of the Artist's Father |
O/C |
|
UL |
20 x 14" |
900 |
1200 |
Yes |
|
| 56 |
Carl Eric |
Lindin |
c. 1920 |
The Walk |
pen & ink/paper |
|
LR* |
6.5 x 7.5" |
350 |
450 |
Yes |
Estate Stamp. |
| 246 |
Carl Eric |
Lindin |
1917 |
Bermuda |
watercolor/paper |
|
estate stamp |
5x7 |
400 |
600 |
Yes |
|
| 55 |
Carl Eric |
Lindin |
c. 1915 |
Lausanne |
watercolor/paper |
|
estate stamp |
8.75 x 11 .5" |
500 |
700 |
Yes |
|
| 167 |
Erika |
Lohman |
c.1925 |
Summer |
woodcut |
|
see note |
10.25x8 |
150 |
250 |
No |
Inscribed on verso "Summer by ERIKA" |
| 161 |
Frank |
London |
1930 |
Table Top Still Life |
O/C |
|
LL |
19x26 |
2000 |
3000 |
No |
|
| 43 |
Nat |
Lowell |
c.1945 |
Rockerfeller Center (ariel view) |
Etching |
|
LR |
13x8.5 |
150 |
200 |
No |
|
| 233 |
Margaret |
Lowengrund |
c. 1940s |
Café Pair |
dry point |
|
LR |
8 x 5.5" |
200 |
300 |
No |
|
| 207 |
Margaret |
Lowengrund |
1948 |
Americana |
linocut |
|
LR |
8 X 12" |
200 |
300 |
No |
|
| 152 |
Margaret |
Lowengrund |
1930 |
The Bridges |
drypoint |
6/75 |
LR |
8.25x10 |
300 |
400 |
No |
Brooklyn, Manhattan and Williamsburg Bridges - NYC. WAA
exhibition label on verso. |
| 199 |
Margaret |
Lowengrund |
1929 |
Moored River Boats |
color lithograph |
|
LR |
13 x 16.5" |
400 |
600 |
No |
|
| 33 |
Margaret |
Lowengrund |
c. 1940s |
Logan Square Fountain |
Etching |
|
LR |
6.5 x 4.25" |
200 |
300 |
No |
|
| 197 |
Margaret |
Lowengrund |
c. 1940s |
Brooklyn Heights |
color lithograph |
|
LR |
17 x 22" |
500 |
700 |
Yes |
|
| 178 |
Eva |
Ludwig |
1960 |
Sleeping Cat |
mahogany |
|
initialed |
4 x 11 x 8" |
400 |
600 |
Yes |
Initials carved on side |
| 205 |
Ethel |
Magafan |
c. 1940 |
Riding the Brahmas |
lithograph |
32/90 |
LR |
6.5 x 8.5" |
200 |
300 |
No |
|
| 150 |
Jenne |
Magafan |
c. 1940 |
Green Hills |
O/B |
|
LR |
21 x 33" |
1000 |
1500 |
No |
|
| 252 |
Ethel |
Magafan |
c. 1950 |
Trees |
lithograph |
|
LR |
7 x 5" |
150 |
250 |
No |
|
| 9 |
P. |
Maguire |
c.1935 |
Tannery Brook, View From Tinker Street |
O/C |
|
LL |
13x16 |
200 |
300 |
No |
Adam Graver house on right. |
| 35 |
Howard |
Mandel |
c. 1945 |
View From the Garden |
casein |
|
LC |
24 x 20" |
1000 |
1500 |
Yes |
|
| 174 |
Howard |
Mandel |
c.1955 |
Vendor |
tempera/board |
|
LR & verso |
16x13 |
400 |
600 |
No |
Woodstock wormy chestnut frame. Condition: minor flaking
overall. |
| 49 |
Housseini |
Mansouri |
20th Century |
Dancer |
Watercolor & ink |
|
LL |
5.75x3.5 |
75 |
100 |
No |
|
| 189 |
Dave |
Marshall |
1980 |
Moby Dick |
slate |
|
LL |
15.5 x 8" |
200 |
400 |
No |
|
| 71 |
Gill |
Martin |
c.1890 |
Last Light |
O/C |
|
LR |
16x20 |
2000 |
3000 |
No |
Fine period frame. |
| 170 |
Fletcher |
Martin |
c. 1950 |
Young Woman |
conte crayon |
|
UL |
23.5 x 18" |
1000 |
1200 |
Yes |
|
| 10 |
Enzio |
Martinelli |
c.1960 |
Drawings for Sculpture |
colored ink& watercolor |
|
LR |
9x11 |
200 |
300 |
No |
|
| 217 |
Henry |
Mattson |
c.1940 |
Roses |
O/C |
|
UR |
20x16 |
500 |
700 |
No |
|
| 224 |
Leo |
Mielzinger |
1912 |
Portrait of a Girl |
pastel |
|
LR |
9 x 14" |
150 |
250 |
No |
|
| 173 |
Zwy |
Millshtein |
c.1965 |
Musical Revellers |
O/C |
|
LL |
36x28 |
2000 |
3000 |
No |
|
| 147 |
Rueben |
Nakian |
c.1980 |
Leda and the Swan |
pastel & watercolor |
|
LR |
20x28 |
1000 |
1500 |
No |
Water gilded frame |
| 214 |
Albert |
Nemethy |
c.1970 |
Otterkill Bridge, Washingtonville NY 1918 |
O/C |
|
LR |
30x24 |
2500 |
3500 |
No |
Well known American painter/illustrator. Recently deceased. |
| 11 |
Ron |
Netsky |
nd |
Mountain View |
lithograph |
10/28 |
LR |
11.25 x 15.25" |
150 |
250 |
No |
|
| 165 |
Mary |
Nimmo Moran |
1892 |
Windmill |
watercolor/paper |
|
LL |
10.5x14.5 |
3000 |
5000 |
No |
Wife of Thomas Moran. Etcher and landscape painter. Lived
last years in East Hamptoon, Long Island, possible site of this
windmill. |
| 75 |
F. F. |
Ogilvie |
1902 |
No. African Scene with Boats |
watercolor |
|
LR |
11 x 18" |
250 |
500 |
No |
Art Nouveau antique gold frame |
| 74 |
F. F. |
Ogilvie |
c. 1900 |
Desert Shepherds with Flock |
watercolor |
|
LL |
12 x 20.5" |
250 |
500 |
No |
Art Nouveau antique gold frame |
| 254 |
Gower |
O'Malley |
|
Cat in Doorway |
drypoint |
|
LR |
10x8 |
150 |
200 |
No |
|
| 260 |
Maud & Miska |
Petersham |
c.1950 |
Cupid |
hand colored print |
|
in plate |
9x7 |
50 |
100 |
No |
|
| 177 |
Robert |
Phillip |
1940 |
Along the Mississippi |
O/C |
|
verso |
11 x 29" |
2000 |
2500 |
Yes |
|
| 69 |
C. |
Phillips |
c.1920 |
Landscape (California?) |
O/C |
|
LR |
17x14 |
400 |
500 |
No |
Original carved period frame (possibly Claire) - Arizona and
California artist. |
| 135 |
John |
Pike |
c.1970 |
Walk In Winter |
watercolor |
|
LR |
29x21 |
2000 |
2500 |
Yes |
|
| 17 |
John |
Pike |
1946 |
The faint Heart of Dusel |
O/B |
|
LR |
18x24 |
1000 |
1500 |
No |
Illustration for Colliers Magazine- March 1947 |
| 232 |
Carolyn |
Plochmann |
c. 1940 |
Untitled (Interior) |
O/C |
|
LR |
10 x 7.5' |
250 |
400 |
No |
Collection of Alice Wardwell |
| 125 |
Carolyn |
Plochmann |
1997 |
Three Birches |
acrylic/canvas |
|
LR |
24 x 30" |
4000 |
5000 |
Yes |
|
| 97 |
Mary |
Powers |
c.1950 |
Easter Surprise |
O/C |
|
LL |
13x17 |
500 |
700 |
No |
Decorated sugar egg with viewing port. |
| 229 |
Tsuchiya |
Rakuzan |
c.1955 |
Lilly, Birds and Nest |
woodcut |
|
LC |
13x19 |
400 |
600 |
No |
Japanese |
| 84 |
Man |
Ray |
1969 |
Eggs and Castle |
drypoint & aquatint |
15/25 |
LR |
7.25x5.25 |
2000 |
3000 |
Yes |
From suite "Electro Magie". Editions George Vivat |
| 83 |
Man |
Ray |
1969 |
Electro Magie |
etching |
16/25 AP |
LR |
7.5x5.5 |
2000 |
3000 |
Yes |
Title plate from suite "Electro Magie". Editions George Vivat |
| 146 |
Philip |
Reisman |
c.1960 |
Summer Serenade |
watercolor/paper |
|
LR |
14x23 |
1200 |
1500 |
No |
|
| 151 |
Winold |
Reiss |
1925 |
May |
woodcut |
|
LR |
8x8 |
1500 |
1800 |
Yes |
Very rare print. Signature under mat. From series of months. |
| 168 |
Agnes |
Richmond |
1904 |
Woman By a Pond, Woodstock |
O/C |
|
LL |
20x16 |
12000 |
18000 |
Yes |
Inscribed on back before lining "Woodstock 1904". Its
believed to be an early Byrdcliffe painting. Period Arts and Crafts
frame. |
| 140 |
Priscilla |
Roberts |
c.1970 |
Call to Order |
O/B |
|
LL |
13x21 |
1500 |
2000 |
No |
Grand Central Art Galleries NYC label on verso |
| 79 |
Paul |
Rohland |
1938 |
Fruit |
O/canvas board |
|
LR |
10x14 |
1200 |
1500 |
Yes |
Dated and "Rehn Gallery" on verso. Colonial frame. |
| 78 |
Charles |
Rosen |
c.1935 |
Water Tower |
pastel/paper |
|
LL |
13x9.5 |
1200 |
1400 |
Yes |
|
| 221 |
Andreė |
Ruellan |
c.1960 |
Salamander |
gouache/board |
|
LR |
14x17 |
800 |
1200 |
No |
|
| 21 |
Andree |
Ruellan |
1973 |
Three Women |
etching |
23/45 |
LR |
7.25 x 8.5" |
150 |
250 |
No |
Inscribed |
| 216 |
Andreė |
Ruellan |
c.1970 |
Hillside in Shady |
carbon pencil/paper |
|
LR |
12x16 |
500 |
700 |
No |
|
| 7 |
Andreė |
Ruellan |
c.1925 |
Rue des Bons Enfants |
Litho |
3/20 |
LR |
10.5x8.5 |
200 |
300 |
No |
Woodstock artist Ms Ruellan (now age 102) resided in Paris in
the 20's. |
| 116 |
Chauncey |
Ryder |
c.1930 |
Autumn |
O/B |
|
LR |
8x10 |
1200 |
1500 |
No |
|
| 25 |
Susan |
Sahall |
1985 |
Deborah |
hand colored litho |
23/225 |
LR |
17.5x24 |
500 |
700 |
No |
Condition: minor foxing and crease on left. |
| 77 |
Rolph |
Scarlett |
c.1940 |
Geometric |
mixed media/graph paper |
|
LR |
5x7 |
800 |
1200 |
Yes |
|
| 182 |
Rolph |
Scarlett |
c.1940 |
Bridge of Sighs |
mixed media/paper |
|
LL |
9.25x12.25 |
1000 |
1200 |
No |
|
| 164 |
Rolph |
Scarlett |
c.1950 |
Abstract |
gouache/paper |
|
LR |
11x8.5 |
400 |
600 |
No |
|
| 191 |
Richard |
Segalman |
c. 1990s |
Sea Conversation |
monotype |
|
LR |
4 x 3.5" |
250 |
350 |
No |
|
| 209 |
Harold B. |
Slingerland |
c.1945 |
Newspaper Pressman |
O/C |
|
LR |
20x16 |
600 |
1000 |
Yes |
Provenance: Artist's estate, Saratoga Springs, NY. Condition:
puncture upper center. |
| 210 |
Harold |
Slingerland |
c.1950 |
Night Watchman |
O/C |
|
UL |
30x24 |
600 |
1000 |
No |
Exhibition labels on verso, Allied Artists of America, and
Norton Galleries, Palm Beach. Condition: minor damage lower edge. |
| 248 |
Kurt |
Sluizer |
c.1950 |
Country Lane |
O/C |
|
LR |
10x16 |
600 |
800 |
No |
Chestnut frame by Vasco Pini (Woodstock) |
| 187 |
Kurt |
Sluizer |
c. 1950s |
Breakwater |
O/canvasboard |
|
Initialed LR |
7 x 10.5" |
250 |
350 |
No |
|
| 26 |
Kurt |
Sluizer |
c.1950 |
Farmhand |
graphite/paper |
|
LR |
14x9 |
300 |
400 |
No |
|
| 8 |
Donald E. |
Smolen |
1945 |
WWII Fighter Planes |
watercolor/paper |
|
LR |
17.5x24 |
500 |
600 |
No |
|
| 27 |
Miron |
Sokole |
|
Warf Scene, Rockport |
gouache |
|
LR |
12x18 |
800 |
1000 |
Yes |
|
| 20 |
Raphael |
Soyer |
c. 1940s |
Reflections |
lithograph |
|
LR |
15 x 11.5" |
150 |
250 |
No |
AAA print. |
| 81 |
Raphael |
Soyer |
1979 |
Woman Seated |
color Litho |
263/275 |
LR |
16.5x14 |
600 |
800 |
No |
Published by London Arts |
| 158 |
Wm Sheppard |
Sparks |
1944 |
The Northern Crown |
watercolor |
|
LL |
14.5 x 9.5" |
250 |
450 |
No |
|
| 15 |
Eugene |
Speicher |
c. 1940s |
Still Life |
graphite/paper |
|
LR |
12x10.5 |
400 |
600 |
Yes |
|
| 148 |
Eugene |
Speicher |
c. 1940s |
Nude |
graphite/paper |
|
LR |
17 x 10" |
300 |
400 |
Yes |
|
| 6 |
Eugene |
Speicher |
c.1940 |
Kingston Brickyards |
charcoal/paper |
|
LR |
9.5x12.5 |
500 |
600 |
No |
|
| 123 |
Zulma |
Steele |
c.1920 |
Ceremony (Bahamas) |
O/B |
|
LL |
10x11 |
1000 |
2000 |
No |
|
| 124 |
Zulma |
Steele |
|
Bahamian Woman |
O/B with scrafitto |
|
LL |
10.5x9.5 |
1000 |
1500 |
No |
|
| 129 |
Zulma |
Steele |
c.1925 |
Spanish Street |
O/C |
|
LR |
36x27 |
20000 |
25000 |
Yes |
Newconb-Macklin frame. |
| 145 |
Ivan |
Summers |
c.1930 |
Old Senate House Kingston |
etching |
|
LR |
8x9.5 |
200 |
300 |
No |
also signed in plate. Condition: minor foxing LL and LR. |
| 44 |
Hudson |
Talbott |
1986 |
South Street Seaport Jazz Festival '86 |
color lithograph poster |
|
in plate LR |
27x19 |
100 |
200 |
No |
Signed and inscribed by Lionel Hampton. |
| 98 |
Rufino |
Tamayo |
c.1930 |
Mexican Man with Rifle |
woodcut |
|
LR |
8.5x6 |
800 |
900 |
No |
|
| 203 |
John |
Taylor |
c.1925 |
San Tropez |
Litho |
19/25 |
LR |
11x14.5 |
200 |
300 |
No |
|
| 251 |
|
Toyokuni |
before 1790 |
Seated man |
color woodblock print |
|
LC |
13x8.5 |
150 |
250 |
No |
Toyokuni the first |
| 238 |
Nahum |
Tschacbasov |
1967 |
Sinatra |
mixed media on canvas |
|
verso |
40 x 30" |
800 |
1200 |
No |
|
| 85 |
Hans |
Van de Bogenkamp |
4/30/88 |
Ovals and Waves |
cardboard construction |
|
LL |
20x16 |
400 |
600 |
No |
|
| 16 |
Anne |
Wienholt |
1962 |
Bird Singer |
ceramic |
|
bottom |
11 x 8 x 8" |
300 |
500 |
No |
|
| 242 |
Ester |
Williams |
c.1944 |
David |
O/C |
|
LR |
35x24 |
300 |
500 |
No |
Exhibition label on verso Carnegie Institute 1944, also
Kraushaar Galleries. |
| 244 |
William |
Wilson |
1980 |
Lighthouse |
watercolor/paper |
|
LR |
10.5x14.5 |
400 |
600 |
No |
|
| 134 |
Attrib. Dewing |
Woodward |
c.1915 |
Woodland Nude |
O/C |
|
Un |
20x16 |
1000 |
1500 |
No |
Co-founder Blue Dome Fraternity Woodstock |
| 42 |
Carl |
Wuermer |
c.1930 |
Gentleman With Glasses |
charcoal/paper |
|
LL |
24x18 |
400 |
600 |
No |
|
| 192 |
Hang Nian |
Zhang |
c. 1995 |
Dancers |
lithograph |
23/75 |
LR |
8 x 9.5" |
150 |
250 |
No |
|